He will take these factors, superior materials and superb craftsmanship to produce the exact bridge you need at a very reasonable price with great customer service. The Purcell sounds punchy, loud, crisp, quick.strong. Contact Steve and go from there. Ive used cheap Grover bridges and more expensive Moon bridges and some in between. My Snuffy is healthy again!!! The Babadook threatens to make Amelia kill her son and dog. This is my second bridge from Bart. Most compensated bridges are too heavy and thick by nature of their offsets. He sent me one of his first McCormick spice factory wood bridges in the KatEyz style, with ebony top wood, at 2.3 grams. I can't stress this enough, take the time to get your measurements right, from bridge height to string width, playing style, head material, etc. View court, arrest, criminal/conviction
has been at the heart of our town and a stones throw from where many of us were born, and their involvement has lifted the spirit and also the potential investment in the town Remember pointy side down according to Will. This is probably due to the wonderful quality of the Timeless Timber maple, which is old, dry, and treated. My Stelling took on a whole new identity after putting this bridge on. All of Bart's bridges are special. Fantastic. This banjo with new strings and your bridge (plus a lowered tail piece) has been completely transformed. I bought one of Danny's Beech bridges on Ebay. Bart decided on Teak with Ebony top for this one, once again in Crowe spacing. The first thing that I noticed after putting the bridge on my banjo was the amount of vibration I could feel through the resonator of my banjo. There was some settling after a few days and I shimmed with a piece of paper under a leg to get the tone back. The camo frog however gives me an actual ringing note on all the strings right up the neck. The banjo has the cocobolo wood tone ring with titanium top. The action is now perfect, the slots were a perfect match for the Nylguts. intonation has improved tremendously. The test banjo was mahogany with gold plating, old wood rim. Very clear and distinct notes at both high and low ends.This Dam Spillway was the model that was one piece no ebony or other wood across the top. I ordered a custom bridge from Bart for my 19-fret Deering Boston tenor. I'm quite happy both with my interaction with Bart as well as with the bridge, and will look to him in the future when searching for a bridge to complement my banjos. In the 21st century, it's not just urns and gravestones anymore. The intonation of the instrument has improved, too. Red maple is not as hard as most of the bridges being made today. Tim Purcell Personal Details. This is by far the best bridge I ever tried. I immediately ordered a zebra/katalox bridge from David, after having such phenomenal improvement to my Juggernaut, with a maple/katalox bridge. It's (by far !) It is hand signed by Bart and is marked on the bottom of the feet for proper orientation. put this bridge on japanese made (late 70's) iida model 235-1. banjo looks exactly like goldstarFE100. I measured for the compensation and specified the height and string spacing and asked for Mr. Veerman's advice on wood and weight. Sometimes the really obvious escapes me. That was the bridge that came on the banjo in 1990 when I bought it, so I guess it didn't owe me anything at this point so I decided to buy a new one. I observed the following:
OMG I hope I didn't violate a patent! WOW! They can make a big difference for a small cost. I highly recommend Dave Wadsworth's product, especially for Mastertone-style banjos. It will show you "the sound", and that is the best statement I can make for this bridge. This beech bridge is unbelievable! This exceptional bridge is clearly a great addition to any banjo. It was an amazing performance and I'm floored to hear on this program it was the 1st time they had performed in public! I do not know if I will keep the bridge on and lose the ability to mute or if I will go to a Hatfield Compensated bridge. In actuality Tim made me three bridges, but the first one was lost in shipment on its way here to Argentina. Thank you, Donald (Zepp) for introducing them to me!Craig (frailin). If you're so unlucky to be plagued by intonation problems, there is no need to dabble in standard type bridges anymore. It arrived from Canada to Germany within 4 days (!). They produce great tone, and are very well made. In short, these are now my go-to bridges, and I have them on all of my banjos. Methodist, All of today's music was written, or co-written, byTim Purcelland performed by Tim solo or in the configurations noted : art,
This bridge has worked wonders for me,and my Banjo! There are several fine bridge makers out there these days, and I've tried a number of them, but to my ear these bridges of Bart's give the most "punch" while also increasing clarity, depth, and most importantly bass response, relative to the best of the other bridges I've tried. Jim. to try it out in the meantime. Comparison: Bridge prices vary widely, from $3.50 mass produced no-name products to $60 boutique handmade bridges. Where Purchased: Sture Svarn Musik,Sweden. I used a Moon bridge for many years, and the intonation was better than a straight bridge, but not adequate. He is passionate about telecommunications and innovation is a strong advocate to have during this critical phase of product development. Bridge is great on my Prust tackhead. I think the solid-foot design is key.You can find them online here:http://buckeyebanjos.com/Bridges.htmlI've experimented with bridges before and heard some difference, but never as much as this. The bridge does not appear so far to be causing any sort of overtone issues.-Not sure if all the camo frogs are compensated but the one I have is. I found this bridge through a web search because I didn't like the sound I was getting from my starter banjo (Fender FB 300). My Eagle 2 is a lot louder and brighter now! I was very fortunate to have Silvio send me a bridge in the mail. I emailed Tim for a recommendation and he was quick torespond. Barks. The banjo sounds different, much better, more like the Goldstar now. Great work Steve. Selection: Bart offers a wide variety of bridge styles with a long list of options to customize each bridge order. Bart, either directly or via his website forms gets all the information necessary to build you a truly exceptional custom bridge. I had hopes that it would take my already great sounding Hatfield to the next level. Both bridges were exceptional, but I was especially impressed by David's two-footed model. Although, others may perceive a minor reduction in volume, I believe this is due to the banjo being less 'harsh'. A banjo can be twangy and sweet- it doesn't have to cut glass. As with all IT projects there are challenges and Tim was professional and supportive and he always presented constructive approaches to addressing these challenges as he had taken the time to understand the client , the stakeholders requirements, processes and culture so that he could deliver the resources & services required. I have learned that as products evolve or a new spin is put onto an old product, to many of us, including yours truly are anxious to put down a 10! I am getting more clarity with some added sustain as well from this interesting bridge. Not terrible different but a little brighter to my ears than the maple. This bridge is the difference between night and day. We shouldve been trying out to be in Chases band. It makes the lighter stock Deering bridge look abysmal in comparison. The raised 5th string feels very natural to my LARGE hands. Bart recommended 46 mm string spacing because this would make double thumbing easier to do. It has served as an entree to Foxes and Fossils for people from all over the world. He is also very nice to do business with. This bridge is fabulous in every way. We use cookies to ensure that we give you the best experience on our website. I play a Mastertone ESS and thought it sounded about as good as it was going to get - WRONG. You can see and hear the difference in his bridges. For my new custom Gold Tone seven string I knew from a previous custom Veermanbridge, that this was the only way to go. A very balanced and "open" sounding bridge. I bought one and found it to be outstanding. Sheer power would be the best description. I have tried two other bridges on this banjo; the stock ebony topped maple, and a Gary Sosebee ebony topped select maple, both in 44mm spacing. This review is for a 9/ 16" , A weight, three leg, ebony topped, mystery wood bridge with 46mm spacing. But not harsh. The volume is also impressive. They are all high end bridges - in the $35-$40 range I believe. Don't throw that good bridge away just because it has a little damage. It allowed not only for materials (ebony topped mystery wood), height, thickness, number of feet (3) and string spacing, but also string type/gauge, neck radius and preferred sound (early 20th century Fairbanks Whyte Laydie). When I am playing bluegrass, for the prototypical dry, loud, powerful, dynamic "Earl" sound his #6 "Mystery wood/ebony topped" bridge is incredible. I've played many, many bridges. Excellent. The change in character was a big surprise. And I've read many glowing stories about these bridges so take my review with a grain of salt. 8. businesses, and does affect the Reputation Score. . Where Purchased: Directly from Silvio Ferretti. If you continue, we will assume that you agree to, http://www.banjohangout.org/reviews/search.asp?m=s&v=7955&redir=true, 'Gold Schaller Set - 2 D-Tuners, 2 Regular Tuners, matching 5th - all with prewar ivoroid buttons', '1920 Fairbanks-Vega Little Wonder Tenor, Large Pot', 'Tab Omer Forster "Flowery Girls" 2-finger style. Virgil made me a compensated bridge (.656 height, 2 gram weight) My banjo was set up for 5/8 bridge, the only tweaking I had to do was a 1/4 turn of the tailpiece to get it up to speed. That kind of helped but not quite enough and by that time I had invested so much time in figuring out the problem that I ought to do something. Keep in mind that every banjo is different, both in design, and set-up. Neither of us wanted to inhibit the others chance to work so we had to find a solution. We re all getting a little older and the girls are all moving ahead with their lives. Home . I have to say that this is a great bridge. This bridge made my Morgan just bark! I was always impressed by her accurate pitch and remarkably pure tone. If you are an open back player that uses genuine hide heads this may be the bridge you need to get! I'm an anal tone freak & I don't casually heap praise on anything - only when it *really* works. Service Technician at A&R Mechanical Contractors . I might add that the engineering (height, slots, spacing) is perfect - and they look great too! Looks cool, too. The sound is fuller and it really chimes. They beefed up the tone & volume and look TOTALLY PreWar !!! I rated another Don New bridge prior to this one. Strings buzzed until we could get the ebony grooves ready. The midrange has regained its prevalence to reproduce an overall rich sound. They really are just cool looking bridges that are very pleasing to the eye. This bridge improved the tone of this RB-250 by increasing its warmth and response by a lot. I've put this on an RK Elite 75 and the results are fantastic. I intend to make some sound comparison MP3s once i get my main computer back up, so check those out on the Hangout. Very reasonably priced. Now I wonder why I waited nearly 40 years to do so! All of a sudden it works!!!!! it's a maple capped ebony bridge with rounded feet. But sometimes I forget to re-order them when I run out (as he well knows..lol). The following video shows John Boulding playing Gospelman 97 (Bryan's) Hatfield Buck Creek with the Zebra Katalox bridge. The sound was so dramatically improved that even my wife noticed (and she doesn't even like banjo music!). Im convinced. Recommended! I wanted a brighter sound, which Bart clarified as "exuberant"rather than bright so as not to confuse the effect of the tome ring. Samantha Purcell is 28 years old today because Samantha's birthday is on 12/02/1994. It's old maple with a rosewood top in standard 5 string spacing - 5/8" tall. I found that as others have mentioned, you should allowed the roasted maple bridgeto settle in for at least a day or so before making adjustments or judgements. 'Gold Schaller Set - 2 D-Tuners, 2 Regular Tuners, matching 5th - all with prewar ivoroid buttons' 22 min, '1920 Fairbanks-Vega Little Wonder Tenor, Large Pot' 1 hr, 'Tab Omer Forster "Flowery Girls" 2-finger style.' Same plus 4th string growl on KK250. But the Sullivan Old Growth is an improvement over the Snuffy. Also my Presto tailpiece is not cranked down and I use 10-21 gauge strings. Highly recommended! Rick put a custom radius on it for me.Update have a rosewood/ebony on my Prucha mahogany inspiration and it really has depth and bass. Where Purchased: Virgil Lawson BHO member. THese are handmade by Don himself. There she has a vision of her dead husband, but it is really the Babadook in disguise. Check Background Get Contact Info This Is Me - Edit Reputation & Background This is done because ebony warms and deepens the tone generally, and this I believe was done to accomodate the growing popularity of the "thunking, woody" sounding banjo tones more prevalent nowadays. O.K. Edit page. Also, Bart was very responsive and helpful - I would highly recommend doing business with him if you are lookingfor a well-crafted bridge. Thanks so much to Mr. Cunningham, his bridges have made me fall even more in love with the banjo. It's tough to review a new bridge when I have so many good bridges already and I would hate to jeopardize some good relationships by comparing one to another. For me, as a clawhammer guy, the locust wood is a dream. The philosophy behind this bridge jives with everything I've read.To sum it up:It is by far the best bridge I've yet to put on any of my banjos (and I've got some nice ones now). The amount of power this bridge can produce on such a cheap instrument is mind blowing. None of the half dozen other bridges I've tried on this banjo, even came close to the dramatic improvement. I told Mike what I wanted and he hit a home run. I want to make it clear that this bridge is not a miracle cure for larger tonal/structural issues. Not just on one string either. I just have to say what an incredible difference an insignificant little piece of wood makes!! The next morning I started picking and my ears immediately perked up. I sent my findings to Bart. Now , after a couple of weeks of playing I could say this bridge tottaly complies in characteristics mentioned on Tim's web page. They arrived today and I tried them out on my Style S 10 inch Vega Little Wonder pot hooked to a Wyatt Fawley neck, built as an A scale banjo. The bridge my banjo-guitarinitially came with was really tall, and it had a curved fret board, so I thought I'd try a shorter bridge with a radius curve. The key is to leave it on the banjo for 48 hoursevery single one I have tried, while slightly different in tone, opens up wonderfully. This bridge is amazing, totally transformed my Gold Tone OB250+ into a different banjo. His customer service is fantastic. The Banjo that I am playing on is a Bob Flesher "Tarantella". He said he knew what I needed and I placed an order. This bridge has given it new life. Just want to say that Mike Smith is doing a wonderful job with the production of the New Generation Snuffy Smith bridges. He is a very pleasant and nice person to deal with, has great customer service, and just seems like an all-around good person who I would not hesitate to do business with again in the future. I have tried the Veerman mystery, Enigma, and archies and they are all some of the best bridges ive played with, for tone, clarity, projection, and note separation. Zebra wood has a nice look. I put together a maple neck and resonator Mastertone style with a Yates rim and Yates no-hole tone ring. The lower action helped there a bit. I suppose that with a better setup I might have been able to improve what the Grover was giving me but I was pretty happy with the sound I was getting from the 7th fret down which is mostly where I play and I didnt want to mess with that.-I do get a bit more sustain from the 7th fret down but not so much more that I have an urge to try to dampen it at all. It was kind of fun, my banjo still sounded great but I thought can it sound better? 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